The Brands We Drive

To gain a better understanding of American consumers’ relationship with their automobiles, DIY market research firm AYTM, surveyed 2000 U.S. car, truck and SUV owners.  Questions pertained to age, make, model, sentiment, psychological motivators and more.

A fantastic snippet of research that I wanted to share because of how diametrically opposed the responses of males are from females.  I mean, they could not be more opposite in how they feel about their vehicles, what characteristics are most important, and the emotional benefits they’re looking to receive.  Check out the infographic after the break.

Read more of this post

What does the Instagram buy say about our culture?

In case you missed it, Instagram was just purchased by Facebook for a billion dollars (yes, billion).  This says one of two things to me.  A) the valuation of this tech start-up (which currently has no revenue model) is incredibly inflated or B) the values of Americans are rapidly shifting to prioritize the preservation and sharing of experiences over that of being informed on local, national and global issues.  What am I missing here?

Bureau of Trade

I love this new site, Bureau of Trade.  It’s essentially a daily curation of the coolest, rarest, most man-centric stuff from Craigslist and ebay.  But, that’s just the half of it.  Each day, members get an email, a Daily Communique, as it were, that presents a handful of products that tie to a current culture theme or event.  The difference between BoT and JCrew’s incessant mailbombing? These guys write great content.  See below for a screengrab of today’s mailing.

A Look Into Wolff Olins’ “Game Changers Report”

Wolff Olins recently published what they’re calling the Game Changers report, an examination of the defining characteristics of today’s high-growth businesses.  When the work was done, the firm pinpointed (5) behaviors or traits embodied by these revolutionary brands. I’m in strong agreement with everything outlined in the report and wanted to take some time to summarize and build (as I often do) on the thinking of others.

Leading With Purpose

High growth businesses are not just commercially, but socially-focused as well.  They understand that to be successful in this transparent world, you must be enmeshed in the lifestyle and culture of your customers.  Corporate Social Responsibility initiatives are not enough, and actually undermine this point all together.  It’s about establishing a strong sense of purpose that ties back to why your business exists in the first place.

To build on this, Nike’s might sound like, “If you have a body, you’re an athlete and Nike exists to build happier, healthier, more fully-supported human beings, through the development of products and communities that put people and planet in balance.”  The company’s GreenXchange, N7 Fund, and Nike Foundation are all examples of this purpose being put into action.

This ties closely to what Umair Haque discusses in his recent ebook, Betterness, specifically, the evolution from Visions to Ambitions as a means of transcending merely striving to increase returns for shareholders.

Thinking of Customers As Users

The fragmentation of communication channels has created an opportunity for brands to move beyond broadcasting to their customers and instead begin engaging in a dialogue with them.  This has powerful implications in that it enables brands to create products and services that are more useful in the lives of customers.

A great example of this, shared in the study, comes from the branchless banking service, M-Pesa, which noticed that people in developing countries lacked traditional banking systems and were trading cell phone minutes as a means of fostering transactions.  The brand decided to create a mobile phone-based banking system that allows users to pay bills, transfer money, and buy products all via the system.  Simply put, the brand is building their business model around creating a useful service, rather than a revenue stream.

The question we must always be asking as brand strategists is how can we add greater value to the lives of our users.  This extends past what they’re buying from us, and instead starts to look at what they’re capable of achieving as a result.

Being In A State Of Perpetual Beta

At a time when innovation is happening at more and more rapid rates, it’s crucial to look at R&D in new ways.  Google was one of the first with their now infamous 20% rule; by enacting this, they created a corporate culture that was less constrained and free from the need to roll out products that were already ‘perfect’.

In fact, the accelerating rate of innovation means none of us really know what ‘perfect’ looks like in our respective industries at all.  We need consumers and real-life use to help us figure that out, and Google has always been comfortable with this fact.

What’s key is for businesses to create cultures with the right conditions for experimentation.  This means encouraging employees to take risks and supporting them to continue doing so even as they fail…again, and again.  It’s also important to keep in mind that this doesn’t just apply to R&D in the traditional sense, but to the processes, habits and ways of doing things that departments solidify as ‘the way’ after a period of time.

Experimentation needs to be a constant practice, and it must be led by the values established in section 1, Leading With Purpose.  Companies who take this to heart will find that their employees attain the intrinsic fulfillment that traditional bonuses and incentives can never truly deliver.

Live Without Walls

In the old world, it was all about establishing and maintaining a competitive advantage.  Innovation and intellectual property were heavily guarded.  However, the fragmentation of the marketplace and its available communication channels as well as the pace of technological innovation have taken what was a closed system and completely opened it up.

Intelligent brands have a firm understanding of what they do well, but aren’t afraid to partner with others to achieve larger goals, creating entirely new markets supported by more comprehensive services.  The collaboration between Nike and Apple on Nike+ is still one of the most groundbreaking examples out there.  But, brands like (RED) built a philanthropic business model solely based on the notion of collaboration and partnership.  Today they’ve helped raise millions together with brands like Starbucks, Gap, Dell, Apple and more.

Perhaps the best line in Wolff Olin’s report is this: “…the brands that will have the greatest impact on all our lives are those that see themselves not as citadels that need defending, but as causes that need joining.”

Game Changing brands will develop an always growing ecosystem of collaborators that allow them to create value in new ways.  Again, we’re moving from closed systems to open ones, simply because achieving our maximum potential depends on it.

Change The Game

In the past, organizations succeeded by pursing a single business strategy with unwavering confidence.  But, today a new type of growth potential is taking shape.  Game Changing companies are exploring new sectors, revenue streams, and markets with an admirable conviction.  To reinforce this, a PWC Global CEO Survey found that over half of U.S. CEO’s strongly agree that creating new business models is now a priority for their company’s innovation portfolios.

LEGO is perhaps the most startling example presented in the study.  In 2003, the brand was a beloved, but dated toy block manufacturer.  Ten years later, they’re posting nearly a billion dollars in pre-tax profits, made possible through expansion into sectors like video gaming, theme parks, retail stores, clothing and even business consultancy.  And if that wasn’t enough, they’re harnessing the power of co-creation with consumers through sites like CUUSOO and DesignByMe.

All of this underscores the importance of creativity in the workplace, as well as being open to experimentation (discussed earlier).  Most important, again, is that the value-creative behavior that Wolff Olins identifies must ladder up to a brand’s purpose (section 1) – why it exists in the marketplace.  This is the cornerstone of developing new competencies.

Brands should make it their goal to develop one new revenue stream each year based on the over-arching brand purpose and values.

Overall, a great study that defines, supports and provides examples for five of the most crucial trends affecting innovation among brands.  If, somehow, this wasn’t enough detail, head on over to Wolff Olins for the full download.

[Image via Thomas Hawk]

How Brands Can Tell Great Stories

So, I just watched a keynote presentation from Greg Owsley, former marketing chief for the fabled New Belgium Brewery. The talk he gave was at The Statewide Sustainability Roundtable in Colorado Springs last November, and focuses on what he calls the “6 R’s of Storied Social Change Marketing.”

Essentially, they represent a set of guidelines that will help marketers tell more compelling stories through their campaigns. I’ve embedded the videos from his talk, but have written this post as a succinct summary that adds a few thoughts of my own on the subject of storytelling as brand marketing, specifically because I think it supports my stance that marketers need to be building more human brands.

 

 

Greg’s first point, which is one of his best, is that brands (especially big ones) get tied to the idea of selling these big ideals, like “Freedom” or “Empowerment.” But, in reality, these are often ineffective because they’re extremely conceptual making them difficult for people grasp and relate to their own lives. Furthermore, we all have different definitions and associations for words like “Freedom” and “Empowerment.” What brands must do, instead, is tell specific and compelling stories, containing the following elements:

  • Roots: must have a foundation built on key “truths”
  • Relevancy: must express the facts in a compelling manner – one that grips the intended audience
  • Reverb: must latch the relevancy to a greater social tension or cultural myth
  • Remarkable: the message and its imagery must stand out, by being remarkable, memorable, provocative and disruptive
  • Rally Cry: there must be a call to action that gives the subject an objective
  • Ripple: must integrate marketing streams to create a supportive or additive framework for the campaign or story

I love everything Greg is saying here and think that he uses great case studies to illustrate his point. However, there’s some elements that, perhaps lie a little bit deeper, that brands can gain tremendous benefit from understanding how to incorporate into their storytelling and identity formation.

First, because brands focus on crafting these highly polished stories and identities for themselves, they don’t connect with people because they don’t feel human or real. This goes back to my notion of building more human brands.  Humans are incredibly multidimensional, experiencing varying states and levels of emotion on a minute-by-minute basis of every day. This state of constant emotional flux defines our lives, yet brands avoid it like the plague, instead, trying to tell stories that are overly-polished, fit and clean. Except the problem is that these don’t connect with consumers, because our wiring tells us, very clearly, that they’re manufactured.

Instead brands need to be turning to elements of paradox, creative tension, conflict and even unknowing as a means to develop their identities and tell their stories, because it’s how people experience the world. Just think of how many times you feel ‘conflicted’ throughout the day? Yet brands rarely incorporate elements like this into their stories.

To use Apple as an example, which I hate doing, they have taken the notion of ‘unknowing’ and incorporated it brilliantly into their identity. On a practical level, no one ever knows anything about their products until the day they’re released. This unknowing creates tremendous enthusiasm and anticipation, just like a great writer does with the climax of their story. On a more subtle level, this secrecy and unknowing allows us to form our own beliefs about how the brand’s products will impact our lives. Suddenly, Apple becomes more things to more people – in many cases a gateway to connect with one’s own inner child by enabling creative pursuits.

In any case, these messier components of unique human experience – conflict, unknowing, tension, paradox, etc. are the meat for great stories, and brands would be wise to leverage them in this convoluted marketplace as a means of authentically connecting with their customers.

Big thanks to Steve Wilton for sending me these talks and engaging in a stimulating conversation about the ideas!

From Business to Betterness

Just finished reading Umair Haque’s new ebook, Betterness and I’m thoroughly inspired.  Anyone working in business whether it be small, independent shop or massive multi-national corporation, could benefit from hearing about the shift in thinking that Haque advocates.

The economist turned humanist argues that our current capitalist system is in need of a substantial overhaul, a paradigm shift as he puts it.  He argues that our economy is at a point of diminishing returns, specifically in regards to the value, jobs, income, net worth and overall fulfillment it returns to the people and communities that fuel it.

Instead, Haque believes that businesses have a greater potential to live up to, namely, one built on maximizing human potential through the generation of real Wealth.  Haque calls this evolution “Betterness.”

Where Business says, “I’ll offer you a product or service in exchange for your currency.”  Betterness says, “Through the act of exchange, I’ll ignite your human potential.  You will become better – fitter, smarter, closer, wiser, tougher, humbler, truer, wealthier in terms that add up to a life meaningfully well lived.”

Read more of this post

This Is How The Future of Retail Looks

 

Totally inspired by 718 Cyclery.  This is what the future of the retail business looks like. A rock solid understanding of their purpose: “we build bikes with people.” Total collaboration on the end product that takes place both within the shop and then via online file sharing. An environment that allows consumers to completely connect with the product they are purchasing, in this case by actually playing a role in its assembly.

People want to be involved in the process of understanding and making the things they purchase. Bruce Nussbaum has recently begun calling this movement “indie capitalism” and 718C fits beautifully within his description of being a locally-minded social businesses that builds community and places a heightened focus on materials, value creation and the sharing of information.  But, it’s really just the result of the very reason owner, Joe, began the business in the first place: to reconnect with humanity.

The key fundamental truth about human behavior here is that we need to be able to exercise our ability to shape and change our world, in tangible ways, especially as more of us transition into the knowledge economy, where our contributions to the world cannot be easily touched or felt.  In this case, people are playing a role in the design and fabrication of a mode of transportation.  It’s fulfilling something very real by giving them ownership over the product their purchasing while forming connections through the process.

LivePhish.com: A Case Study in Building Community

Most don’t know this, but Phish has one of the most active and passionate communities of fans, not just among bands, but also brands in the world.  How did it all begin? Jam bands, dating back to the Grateful Dead have always been defined by the constantly changing and unpredictable nature of their live performances.  Simply put, it wasn’t the records they periodically produced, it was going to see them live that made these bands and the genre what it is today.  A mainstay of this culture involved fans recording live shows and sharing them with friends, a practice that has been going on for decades.

In the 80s, these individuals became known as “Tapers.”  An entire subculture emerged of people who traveled to concerts to record them, share them and trade them with friends.  Naturally, this made a deeper analysis of each performance possible, while generating social groups that revolved around this discovery and learning process.  Eventually, this ability to more attentively listen to and discuss the music of these bands coupled with the always evolving nature of their performances, grew into a more rabid and loyal fan base.

So, after looking at this history, one that many brands would salivate at the prospect of having as their roots, musicians and bands in more mainstream genres still don’t seem to understand the power that experience holds in developing active online communities of fans. So, I chose the band Phish to show how these powerful sub-cultures harnessed by a sound digital strategy has been turned into not just a revenue source, but a means of constantly fueling support and loyalty for the music itself.

Read more of this post

A Thought on Brands and Culture

I read Grant McCracken’s latest Harvard Business Review article, called Cool and the Corporation.  Insightful and thought-provoking as always from Grant.

In a nutshell, Grant explains how brands are now in the business of making culture, by creating meaning and experiences among other things for their customers.  However, brands are often unable to create culture without pulling from existing ideas, aesthetics, music, sensibilities, trends, styles, etc.  In short, they have to borrow to build.  The new VW “punch buggy” ad from Deutsche/LA is an example of a brand paying homage to the culture from which it has borrowed from (read his post first hand for more on the details).  In short, creativity comes from others creativity and VW/Deutsche is, as Grant says, acknowledging their debt to those that came before them.  The progression then is from a “cool hunter” model where brands steal culture to the “rebroadcast” model which is more about borrowing and paying homage.

So, this article got me thinking, why is this change occurring?  Is it something about brands themselves or the progression of our culture that’s creating this seemingly conscientious transition?  The answer, I think, lies in the fact that brands must become more transparent about acknowledging their influences as a means to more effectively tell their story to consumers.  The VW ad is a very small example, akin to hitting a single into right field in my opinion.

So, what’s the home run look like?

My first thought (usually my best), went to the Reebok Classics Collective, also dubbed “We R Classic.”  It’s essentially a site dedicated to short interviews, documentaries and performances from musicians, artists and dancers regarding the process and untold stories behind their work.  More than that, it’s a fantastic example of a brand not only acknowledging the culture that its based upon, but also creating something that actively contributes, builds upon or gives back to that culture.  But, again, it’s really a means of drawing connections between themselves and consumers who share a passion for these same pieces of culture.

Google’s Think Quartly Artist Collaboration

Google’s Think Quarterly is an amazing publication for anyone working in the knowledge economy, particularly creatives and innovators.  Covering a wide range of topics, like culture, technology, business, economics and more, this edition revolved around “People.”  Aside from reading it, you should check out the collaboration among 14 UK-based illustrators as well as creative shop, The Church of London, to create a massive mural that would then become the individual covers for hard copy editions sent to key partners.

Love the notion of a giant canvas that everyone collectively works off of.  No rules.  Reminds me of something you’d see in a kindergarten class.  But, admittedly, I’m also really drawn to the simple, whimsical style that each artist brought to the project.

Kudos to everyone involved: Yasmeen Ismail, Paul Layzell, Matthew Hams, Chetan, Hattie Stewart, Dominic Owen, Jasper Dunk, Jean Jullien, Toby Triumph, Ryan Chapman, Maggie Li, Dale Murray, Robbie Brown Shoes, Daniel Frost and The Church of London.

Check out Yasmeen’s site for a nice photo set.

Follow

Get every new post delivered to your Inbox.

Join 34 other followers