This Is How The Future of Retail Looks

 

Totally inspired by 718 Cyclery.  This is what the future of the retail business looks like. A rock solid understanding of their purpose: “we build bikes with people.” Total collaboration on the end product that takes place both within the shop and then via online file sharing. An environment that allows consumers to completely connect with the product they are purchasing, in this case by actually playing a role in its assembly.

People want to be involved in the process of understanding and making the things they purchase. Bruce Nussbaum has recently begun calling this movement “indie capitalism” and 718C fits beautifully within his description of being a locally-minded social businesses that builds community and places a heightened focus on materials, value creation and the sharing of information.  But, it’s really just the result of the very reason owner, Joe, began the business in the first place: to reconnect with humanity.

The key fundamental truth about human behavior here is that we need to be able to exercise our ability to shape and change our world, in tangible ways, especially as more of us transition into the knowledge economy, where our contributions to the world cannot be easily touched or felt.  In this case, people are playing a role in the design and fabrication of a mode of transportation.  It’s fulfilling something very real by giving them ownership over the product their purchasing while forming connections through the process.

LivePhish.com: A Case Study in Building Community

Most don’t know this, but Phish has one of the most active and passionate communities of fans, not just among bands, but also brands in the world.  How did it all begin? Jam bands, dating back to the Grateful Dead have always been defined by the constantly changing and unpredictable nature of their live performances.  Simply put, it wasn’t the records they periodically produced, it was going to see them live that made these bands and the genre what it is today.  A mainstay of this culture involved fans recording live shows and sharing them with friends, a practice that has been going on for decades.

In the 80s, these individuals became known as “Tapers.”  An entire subculture emerged of people who traveled to concerts to record them, share them and trade them with friends.  Naturally, this made a deeper analysis of each performance possible, while generating social groups that revolved around this discovery and learning process.  Eventually, this ability to more attentively listen to and discuss the music of these bands coupled with the always evolving nature of their performances, grew into a more rabid and loyal fan base.

So, after looking at this history, one that many brands would salivate at the prospect of having as their roots, musicians and bands in more mainstream genres still don’t seem to understand the power that experience holds in developing active online communities of fans. So, I chose the band Phish to show how these powerful sub-cultures harnessed by a sound digital strategy has been turned into not just a revenue source, but a means of constantly fueling support and loyalty for the music itself.

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A Thought on Brands and Culture

I read Grant McCracken’s latest Harvard Business Review article, called Cool and the Corporation.  Insightful and thought-provoking as always from Grant.

In a nutshell, Grant explains how brands are now in the business of making culture, by creating meaning and experiences among other things for their customers.  However, brands are often unable to create culture without pulling from existing ideas, aesthetics, music, sensibilities, trends, styles, etc.  In short, they have to borrow to build.  The new VW “punch buggy” ad from Deutsche/LA is an example of a brand paying homage to the culture from which it has borrowed from (read his post first hand for more on the details).  In short, creativity comes from others creativity and VW/Deutsche is, as Grant says, acknowledging their debt to those that came before them.  The progression then is from a “cool hunter” model where brands steal culture to the “rebroadcast” model which is more about borrowing and paying homage.

So, this article got me thinking, why is this change occurring?  Is it something about brands themselves or the progression of our culture that’s creating this seemingly conscientious transition?  The answer, I think, lies in the fact that brands must become more transparent about acknowledging their influences as a means to more effectively tell their story to consumers.  The VW ad is a very small example, akin to hitting a single into right field in my opinion.

So, what’s the home run look like?

My first thought (usually my best), went to the Reebok Classics Collective, also dubbed “We R Classic.”  It’s essentially a site dedicated to short interviews, documentaries and performances from musicians, artists and dancers regarding the process and untold stories behind their work.  More than that, it’s a fantastic example of a brand not only acknowledging the culture that its based upon, but also creating something that actively contributes, builds upon or gives back to that culture.  But, again, it’s really a means of drawing connections between themselves and consumers who share a passion for these same pieces of culture.

Google’s Think Quartly Artist Collaboration

Google’s Think Quarterly is an amazing publication for anyone working in the knowledge economy, particularly creatives and innovators.  Covering a wide range of topics, like culture, technology, business, economics and more, this edition revolved around “People.”  Aside from reading it, you should check out the collaboration among 14 UK-based illustrators as well as creative shop, The Church of London, to create a massive mural that would then become the individual covers for hard copy editions sent to key partners.

Love the notion of a giant canvas that everyone collectively works off of.  No rules.  Reminds me of something you’d see in a kindergarten class.  But, admittedly, I’m also really drawn to the simple, whimsical style that each artist brought to the project.

Kudos to everyone involved: Yasmeen Ismail, Paul Layzell, Matthew Hams, Chetan, Hattie Stewart, Dominic Owen, Jasper Dunk, Jean Jullien, Toby Triumph, Ryan Chapman, Maggie Li, Dale Murray, Robbie Brown Shoes, Daniel Frost and The Church of London.

Check out Yasmeen’s site for a nice photo set.

The Dodge Journey Commercial


During this past weekend, while indulging in some football I came across the new Dodge Journey commercial.  Now, I must say, car commercials rarely impress me.  They’re so predictable at this point that I think most people have become incredibly skilled at completely ignoring them (or at least I have).

But, this spot struck me with the wry narration from Michael C. Hall which opened with, “People don’t make a list of websites they want to see before they die.” “They don’t fill photo albums with pictures from an online search.”

No they certainly do not.  These were poignant lines that struck a chord with me, as someone living in Boulder, CO that plays heavily in both spaces and is often conflicted about how to use my free time.

Many of us out here live almost what feels like two separate lives.  On one hand always hungry to learn and discover through the power of the web and on the other just wanting to get away from everything to connect with the archetypal warrior/adventurer that lives inside.  It’s the modern man’s dilemma on some level and Wieden + Kennedy brought it to the surface, at least for me.

Crispin Porter + Bogusky has always been adept at this sort of advertising, as well.  They call it finding the cultural tension associated with an idea.  In this case it was more psychological, but their strategic briefs contain a section devoted simply to identifying this force.

Anyways, kudos to the team that worked on this piece.  You have my attention.

The Human Brand

So, this is essentially a re-blog of an idea I threw up on a now defunct Tumblr about something I’ve been thing about for some time.  Namely, that the primary obstacle that prevents brands from connecting more effectively with people is that they don’t allow themselves to exhibit uniquely human characteristics.  I’m recycling this post, because 14 months later I find myself returning to the same notion, with more evidence that it might actually be useful.  Please share your thoughts, as this is far from complete.

I feel more strongly than ever that brands must serve as a sort of living, breathing companion to the individual.  But, it’s not enough to simply display humanistic tendencies, brands must use them as the basis for growth and innovation.

By human tendencies I mean the development of an opinion or point of view, the desire to form new bonds and to assist in the connection of likeminded individuals, the capacity to listen and empathize and entertain, all while creating something of value.

With all of this laid out, I found myself more lost than when I began, so I set out to simplify and organize the key human tendencies that might apply to brand evolution.  What followed was a preliminary model based on the key characteristics possessed not just by average people, but highly functioning people. It is by no means comprehensive at this point, but represents what I think is a very solid first draft.

Three main tendencies make up our ideal human (or brand): growth, connection and production.

Growth

Characterized by the natural desire to learn new information and skills, develop behaviors that indicate greater social responsibility and heightened consciousness, as well as a desire to seek out new experiences and cultivate of an increasingly more evolved point of view and unique identity.

Connection

Demonstrated by the tendency to share knowledge and opinions, form new bonds and strengthen existing ones, engage in two-way dialogue, and connect other like-minded entities.

Production

Exhibited as the will to create for the sake of self expression and the unwavering belief in a better tomorrow.

All three components are of equal importance for the human brand and are mutually dependent on one another.  For example, the development of a more complex point of view is meaningless if it is not shared with others and used to create something new.  Similarly, seeking out and engaging in new experiences lacks significance if it doesn’t serve as a means for connection with other likeminded individuals.

The model isn’t worth anything if it isn’t applied as a means for growth, in this case to ask the right questions that will lead to the formulation of intelligent strategies.  For example, if a sports apparel brand realized that it wasn’t connecting with high school youth, it could use this framework to pinpoint areas of potential weakness like a lack of a formulated identity that resonated with young people, or a failure to share their years of accumulated knowledge about sport performance.  The next step would then be to reverse these statements to become questions, like how can we more effectively share our vast body of knowledge about performance to create a devoted following?

With this preliminary model in place, we can begin to develop strategies that are more in line with the needs of today’s consumer.

The Dissemination of Pop Culture

I’m a big fan of Seth Godin (who isn’t) and a subscriber to the email updates coming from his Domino Project, which, in a word, is trying to change how books are published, distributed and consumed by the public.  His weekly newsletter posed this question: Does pop culture change top down or do people always get what they deserve?

I love this question because I think it’s central to so many industries, and I don’t see as much discussion directly about this topic as I would like.  The answer, before I go any further is both.  In a capitalist society, needs will eventually be met by someone, because where there are unmet needs there is an opportunity to profit.  However, you’re insane if you don’t think that everyday new “needs” are invented by brands and their marketing machines that you didn’t even know you had.  GPS is a good example.  iPads are an even better one (they sold 10 million in 2010).

The process typically goes like this: a company puts big bucks into hyping and developing a story around a new product, thus creating a perceived need.  Media jumps in and starts propagating this story.  A small (but vital) percentage of the population hears about this because they’re listening carefully.  Some call these people early adopters.  They buy-in and eventually the rest of the population, who consumes what they see everyone else consuming follows and voila, you have the SUV craze.

This model was pretty cut and dry, but more and more lately we’re seeing it operate in different ways, meaning that how you get to widespread adoption is less clearly defined. In other words, there’s no set path.  Instead, and unless you’re Apple, innovators should focus on what they’re bringing into the marketplace.  Is there a real need or just the opportunity to develop a perceived one?  Is this relevant to a large number of people?  Can the purpose of this product, service or idea be easily understood?

Once these questions are answered, get your product on the radars of that small portion of attentive humans, because you can always count on them to tell you (and maybe others) exactly what they think.

Johnnie Walker Plays Big in China

If you follow the spirits industry, then you know that whiskey is hitting a high point, not just domestically, but in developing nations like China.  As consumers in the east have increasing amounts of disposable income, high-end spirits from the western hemisphere have increasing appeal.  The Scotch category is growing at 8% value with Diageo’s own Scotch portfolio sales increasing at twice that rate.

Diageo, whose portfolio includes the likes of Johnnie Walker is striking while the iron is hot with some serious marketing to the Chinese consumer with the luxury mindset.  About a month ago, they launched The Johnnie Walker House, a four-story mansion in Shanghai that allows invited guests to sample product under the guise of some of the brands most trusted experts.  The space will also be used to host lectures, dinners, masterclasses, trade events and more.

But, JW didn’t stop there, they created 1,000 bottles of a custom blend, called The 1910 Edition, sold within the house for a mere $2,000 each.  The rare prize is meant to commemorate the original journey taken by Johnnie Walker by boat from Scotland to China in 1910, a perilous journey at the time, all the way around Africa and up through the Indian Ocean.

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Nike and The Future of Sportswear

Nike Sportswear debuts its Far East Chino, built for the executive who spends his lunches shredding at the local skate park.  Make no mistake, these pants are an indication of what lies ahead.  Nike is recognizing a growing need, namely, clothing that integrates the active and professional arenas of our lives.  Today’s young professional isn’t satisfied slaving away at a job while his passions (and health) fall by the wayside.  I firmly expect to be seeing more apparel companies taking this approach, and it’s no surprise to see Nike here first.  Check out the complete product review at Cool Hunting.

The Strategist’s Dilemma

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