Aziz Ansari on the Future of Media

Cool Hunting sat down with Aziz Ansari to discuss his thoughts on the future of content consumption as well as a few other unrelated topics.

[via Cool Hunting]

IMAGINATION, By: Jason Silva

Need a little pick me up?  Listen to futurist, Jason Silva talk about Imagination and it’s implications on human development and progress.  Incredibly intelligent guy that delivers his ideas in a way that fills you with awe (and sometimes confusion).

How Brands Can Tell Great Stories

So, I just watched a keynote presentation from Greg Owsley, former marketing chief for the fabled New Belgium Brewery. The talk he gave was at The Statewide Sustainability Roundtable in Colorado Springs last November, and focuses on what he calls the “6 R’s of Storied Social Change Marketing.”

Essentially, they represent a set of guidelines that will help marketers tell more compelling stories through their campaigns. I’ve embedded the videos from his talk, but have written this post as a succinct summary that adds a few thoughts of my own on the subject of storytelling as brand marketing, specifically because I think it supports my stance that marketers need to be building more human brands.

 

 

Greg’s first point, which is one of his best, is that brands (especially big ones) get tied to the idea of selling these big ideals, like “Freedom” or “Empowerment.” But, in reality, these are often ineffective because they’re extremely conceptual making them difficult for people grasp and relate to their own lives. Furthermore, we all have different definitions and associations for words like “Freedom” and “Empowerment.” What brands must do, instead, is tell specific and compelling stories, containing the following elements:

  • Roots: must have a foundation built on key “truths”
  • Relevancy: must express the facts in a compelling manner – one that grips the intended audience
  • Reverb: must latch the relevancy to a greater social tension or cultural myth
  • Remarkable: the message and its imagery must stand out, by being remarkable, memorable, provocative and disruptive
  • Rally Cry: there must be a call to action that gives the subject an objective
  • Ripple: must integrate marketing streams to create a supportive or additive framework for the campaign or story

I love everything Greg is saying here and think that he uses great case studies to illustrate his point. However, there’s some elements that, perhaps lie a little bit deeper, that brands can gain tremendous benefit from understanding how to incorporate into their storytelling and identity formation.

First, because brands focus on crafting these highly polished stories and identities for themselves, they don’t connect with people because they don’t feel human or real. This goes back to my notion of building more human brands.  Humans are incredibly multidimensional, experiencing varying states and levels of emotion on a minute-by-minute basis of every day. This state of constant emotional flux defines our lives, yet brands avoid it like the plague, instead, trying to tell stories that are overly-polished, fit and clean. Except the problem is that these don’t connect with consumers, because our wiring tells us, very clearly, that they’re manufactured.

Instead brands need to be turning to elements of paradox, creative tension, conflict and even unknowing as a means to develop their identities and tell their stories, because it’s how people experience the world. Just think of how many times you feel ‘conflicted’ throughout the day? Yet brands rarely incorporate elements like this into their stories.

To use Apple as an example, which I hate doing, they have taken the notion of ‘unknowing’ and incorporated it brilliantly into their identity. On a practical level, no one ever knows anything about their products until the day they’re released. This unknowing creates tremendous enthusiasm and anticipation, just like a great writer does with the climax of their story. On a more subtle level, this secrecy and unknowing allows us to form our own beliefs about how the brand’s products will impact our lives. Suddenly, Apple becomes more things to more people – in many cases a gateway to connect with one’s own inner child by enabling creative pursuits.

In any case, these messier components of unique human experience – conflict, unknowing, tension, paradox, etc. are the meat for great stories, and brands would be wise to leverage them in this convoluted marketplace as a means of authentically connecting with their customers.

Big thanks to Steve Wilton for sending me these talks and engaging in a stimulating conversation about the ideas!

Heartless Bastards

Another new musical discovery that I wanted to share.  Heartless Bastards, an Austin, Texas-based band debuted their new album “Arrow” a few weeks ago.  As a powerful infusion of rock, psychedelia, spaghetti western scores, blues and more, it’s worth a thorough listen over a glass of whiskey.  Lead singer/songwriter Erika Wennerstrom is insanely talented, and reminds me of Janis Joplin.  Check out the Paste review of the album for a more insightful analysis.  Otherwise, stream the album below, paying special attention to the single “Parted Ways.”

Banksy On Advertising

The Decembrists Honor David Foster Wallace

A great share from NPR in honor of David Foster Wallace’s 50th birthday anniversary.  The music video for The Decembrists ‘Calamity Song’ was created as an homage to his novel Infinite Jest, specifically through the re-creation of the Enfield Tennis Academy’s round of Eschaton, a game that simulates global crisis.  The video was directed by Michael Schur, co-creator of Parks and Recreation and huge DFW fan.

Why TV is More Popular Than Movies

Netflix, CCO Ted Serandos, shares a solid insight into why TV is more popular than movies by identifying what type of storytelling we’re drawn to:

The reason why television is becoming so popular–for us it’s become more than half of what people are watching on Netflix–[is because of] this long-form serialized storytelling. In some ways it’s like the new literature, you know, where you have the ability for a story to develop and for characters to develop, and more importantly for the audience to develop relationships with the characters.

Read the entire piece here.

 

Alabama Shakes

Just discovered these guys.  “Swampy dirty South rock, blues, and soul delivered with punk rock fervor,” says the band.  Couldn’t put it better myself.  Check out a few tracks from their upcoming album, Boys & Girls.

Colbert Interviews Maurice Sendak

A fantastic two-part interview with Maurice Sendak.

George Lucas Isn’t Your Dad

Bryan Curtis wrote a great article for the New York Magazine about George Lucas and his new film Red Tails, which premiered in most theaters this weekend. However, the part that really got me was the analysis of the relationship between Lucas and the hardcore Star Wars fans:

What the blistering fan reaction illustrates is one downside of Lucas’s naïve style. By persuading us to drop our snarky defenses and embrace his fables, Lucas had forged a bond with fanboys like no filmmaker, outside of Spielberg, before or since. (Adjusted for inflation, the three original “Star Wars” movies and “Raiders of the Lost Ark” still rank among the top 20 highest-grossing movies of all time.) But naïveté is a fragile emotion. When Lucas goes back and futzes with his mythology — has Greedo shoot first or creates a goofball like Jar Jar Binks or makes Indy uncool by sticking him in a refrigerator — he isn’t just messing with beloved movies. He’s telling fanboys the naïve belief they gave to him was misplaced.

“What more could one ask for than to have one’s youth back again?” Lucas once asked his biographer, Dale Pollock. Now imagine it being yanked away. If the fanboys had become like the studio to Lucas, then Lucas, to the fanboys, had become the man who breaks the bad news about adulthood. He’d become their dad.

I’ve always been conflicted about the the anger that fanboys have towards Lucas since he began tinkering with the films. Their his movies. Go make your own masterpiece. But, as a lifelong fan of this saga, every edit and change he makes, is like a small wound to that inner child I work so hard to keep alive and Curtis nailed it.

[Image via NY Mag Slideshow, "George Lucas, Hitman"]

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