How Technology is Impacting Art and Culture

Last night I watched, PressPausePlay, a documentary that addresses how technology is impacting our culture and it’s art forms. The film primarily focuses on music, arguing that greater access to better technology is making it easy for anyone to create art. But, at what cost?

They interview a variety of thought-leaders and artists, including Seth Godin, Andrew Keen, Moby, Bill Drummond and a bunch more.

I have to say, author, Andrew Keen, as always, makes some startling but compelling points about the cultural dark age he believes we’re heading towards. Keen postulates that technology and social media are leading everyone to believe that they’re an artist of some sort. The result is a sea of mediocrity that obscures the ability of the limited number of truly talented individuals in this world to shine through, ultimately destroying our beloved art forms when the world eventually becomes accustomed to sub-part art.  Pretty ominous stuff.

However, I don’t agree with this.  My first thought is, how can more people creating, building and making things possibly have a negative outcome on our society? Art, when practiced diligently, can lead to self-actualization, a greater appreciation of life and an overall sense of purpose.

Furthermore, and perhaps more compelling, is that the democratization of art and culture should be more effective at bringing the high quality work to the surface, not less, as Keen argues in the film. Allow me to explain. No more than 15 years ago, record studios and the radio stations determined what music you got to hear. If you had adequate buying power, you could drop 15 bucks on a band’s CD. Now with sites like iTunes, Spotify, Soundcloud and countless others, you can listen to tons of music for free without having to make a financial commitment of any kind.

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Television and Our Connection to the Anti-Hero

A couple weeks ago, NPR released a great piece about the rise in popularity of TV’s anti-heroes.  While short, it identified an interesting trend in how we’re gravitating toward stories with darker, less morally-defined characters.  The topic itself is extremely interesting as it can be examined through so many different cultural lenses.

From award-winning shows like Mad Men and it’s famously self-indulged Don Draper to Dexter with it’s lead serial killer bearing the same name, to shows like Boardwalk Empire with Nucky Thompson, Breaking Bad with Walter White and so many more, you can’t help but notice that the recipe for success for the modern-day drama is a morally-ambiguous anti-hero.

But, let’s take a look at why this recipe is delivering in spades.

The anti-hero is not a new type of character.  They’ve been popularized since spaghetti westerns like the “Man With No Name” or even “Dirty Harry” (Eastwood seems to have had the role locked down), as well as classic comic book characters like Punisher and the Hulk.  The anti-hero has a long history in modern literature as being somehow damaged, and searching for redemption by any means necessary.

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HBO Working on a Doc Holliday Western

Typically, I see no point in regurgitating content at this blog, but every now and then I get excited enough about something to break my own rule. Evidently HBO has signed a two-year deal with writer/producer Akiva Goldsman, whose work includes A Beautiful Mind, The Da Vinci Code and more.  Goldsman is evidently re-uniting with Director Ron Howard to create a pilot for a series about the life of mythical western hero Doc Holliday.  According to JoBlo.com, “The series will feature the never-before-explored love triangle between Holliday, his prostitute wife, Kate Elder and best friend, Wyatt Earp — all set against the lawlessness and desperation of a rapidly changing society.”

But, what got me even more excited was that the project is apparently based on a novel that came out this May by Mary Doria Russell, entitled “Doc”, placing Wyatt Earp’s sidekick at the center of story about life, love and death.  From what I’ve read, it’s gotten incredible reviews and should make for some solid holiday reading.

LivePhish.com: A Case Study in Building Community

Most don’t know this, but Phish has one of the most active and passionate communities of fans, not just among bands, but also brands in the world.  How did it all begin? Jam bands, dating back to the Grateful Dead have always been defined by the constantly changing and unpredictable nature of their live performances.  Simply put, it wasn’t the records they periodically produced, it was going to see them live that made these bands and the genre what it is today.  A mainstay of this culture involved fans recording live shows and sharing them with friends, a practice that has been going on for decades.

In the 80s, these individuals became known as “Tapers.”  An entire subculture emerged of people who traveled to concerts to record them, share them and trade them with friends.  Naturally, this made a deeper analysis of each performance possible, while generating social groups that revolved around this discovery and learning process.  Eventually, this ability to more attentively listen to and discuss the music of these bands coupled with the always evolving nature of their performances, grew into a more rabid and loyal fan base.

So, after looking at this history, one that many brands would salivate at the prospect of having as their roots, musicians and bands in more mainstream genres still don’t seem to understand the power that experience holds in developing active online communities of fans. So, I chose the band Phish to show how these powerful sub-cultures harnessed by a sound digital strategy has been turned into not just a revenue source, but a means of constantly fueling support and loyalty for the music itself.

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Google’s Think Quartly Artist Collaboration

Google’s Think Quarterly is an amazing publication for anyone working in the knowledge economy, particularly creatives and innovators.  Covering a wide range of topics, like culture, technology, business, economics and more, this edition revolved around “People.”  Aside from reading it, you should check out the collaboration among 14 UK-based illustrators as well as creative shop, The Church of London, to create a massive mural that would then become the individual covers for hard copy editions sent to key partners.

Love the notion of a giant canvas that everyone collectively works off of.  No rules.  Reminds me of something you’d see in a kindergarten class.  But, admittedly, I’m also really drawn to the simple, whimsical style that each artist brought to the project.

Kudos to everyone involved: Yasmeen Ismail, Paul Layzell, Matthew Hams, Chetan, Hattie Stewart, Dominic Owen, Jasper Dunk, Jean Jullien, Toby Triumph, Ryan Chapman, Maggie Li, Dale Murray, Robbie Brown Shoes, Daniel Frost and The Church of London.

Check out Yasmeen’s site for a nice photo set.

Occupationalist.org

With well over a month of protesting under it’s belt, the Occupy Movement doesn’t seem to be losing steam.  Protestors, originally labeled by the media as disorganized, extremists without a clear objective are starting to show some wherewithal.  Make no mistake, the Occupy Movement is far from making any tangible strides towards narrowing the growing inequality gap between citizens and the omnipotent banks that control our country.  The U.S. now ranks 4th in the world in income inequality as measured by the Gini coefficient.

The movement’s objective?

#OWS is fighting back against the corrosive power of major banks and multinational corporations over the democratic process, and the role of Wall Street in creating an economic collapse that has caused the greatest recession in generations. The movement is inspired by popular uprisings in Egypt, Tunisia, Spain, Greece, Italy and the UK, and aims to expose how the richest 1% of people who are writing the rules of the global economy are imposing an agenda of neoliberalism and economic inequality that is foreclosing our future. (via OccupyWallStreet.org)

As great as this sounds, if the Occupy Movement is going to create any tangible benefits for America’s working class, it has to start getting clear on it’s list of demands.  Mike Taibbi, contributing editor for Rolling Stone, has been doing a tremendous job of covering the events and takes a solid crack at a top 5 list of demands.

Anyway, there’s a lot happening out there everyday and even more misinformation making it’s way through both traditional and nontraditional news sources.  However, this week a collaboration between The FearLess Revolution and Boulder Digital Works resulted in the creation of Occupationalist.org, an impartial, real-time view of the Occupy Wall Street movement as told through a multitude of sources.  The site features tons of constantly updating content including posts from the deeply moving Tumblr, “We Are The 99%” as well as Twitter conversations broken down by city, news, photo and video feeds, enough information to ensure that any reader is able to form an independent and unbiased opinion about the events as they unfold.

The Entire World From Space In 60 Seconds

Compiled by Science educator James Drake using footage collected by the International Space Station.  Thanks Dad!  You know me well.

[via MSNBC Photoblog]

Senna

This week I had the opportunity to see Senna, the ESPN Films documentary about the life of Ayrton Senna, the infamous Brazilian Formula 1 driver of the 80′s and 90′s. I must say, I’m not one of those crazed racing/car guys, like one of the people I saw the film with, but that didn’t seem to matter. The documentary which was compiled of incredibly rich, grainy footage from throughout Senna’s career, gave me a new perspective on what it meant to race a V10, 1,000 horsepower car, lacking everything from ABS to traction control.  The men that raced these cars day in and day out were heroes, and Senna, for a ten year span, was the best of them.

More importantly, the film made me realize that gone are the days when athletes so clearly embody the archetypal hero from our proverbial past, at times egoless in their seemingly maniacal quest into the unknown. So wrapped up in his purpose in life, viewers realize that for a rare number of individuals the self and the quest are one in the same. Inseparable.

According to Senna’s sister, the night before his final race at San Marino in 1994, he asked God for a gift. God responded that he would give Ayrton the greatest gift of all, himself. The next day he lost his life in a somewhat mysterious crash, becoming, to this day, the last individual to die at the wheel of a Formula 1 car.

This film will leave you speechless and broken, but reconnected with the once pure spirit of competition and greatness. Sports fans, historians, and anyone captivated by those who live passionately will find the story of Ayrton Senna to be unlike any they’ve ever been told.

 

The Dodge Journey Commercial


During this past weekend, while indulging in some football I came across the new Dodge Journey commercial.  Now, I must say, car commercials rarely impress me.  They’re so predictable at this point that I think most people have become incredibly skilled at completely ignoring them (or at least I have).

But, this spot struck me with the wry narration from Michael C. Hall which opened with, “People don’t make a list of websites they want to see before they die.” “They don’t fill photo albums with pictures from an online search.”

No they certainly do not.  These were poignant lines that struck a chord with me, as someone living in Boulder, CO that plays heavily in both spaces and is often conflicted about how to use my free time.

Many of us out here live almost what feels like two separate lives.  On one hand always hungry to learn and discover through the power of the web and on the other just wanting to get away from everything to connect with the archetypal warrior/adventurer that lives inside.  It’s the modern man’s dilemma on some level and Wieden + Kennedy brought it to the surface, at least for me.

Crispin Porter + Bogusky has always been adept at this sort of advertising, as well.  They call it finding the cultural tension associated with an idea.  In this case it was more psychological, but their strategic briefs contain a section devoted simply to identifying this force.

Anyways, kudos to the team that worked on this piece.  You have my attention.

Blitzen Trapper – American Goldwing

After dropping two lengthy posts on you yesterday, I think it’s time for a little R&R. For your consumption, the new Blitzen Trapper album, American Goldwing, in it’s entirety.  Eric Early could be one of the better lyricists in the U.S. of A.  Give it a listen and if you love it like I do, go buy it from them.

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